Gotta Be You Sheet Music: bit.ly Vote For The Next Tutorial: www.facebook.com Follow me on Google+!: bit.ly Join My Google Group!: groups.google.com My Music!: bit.ly T-Shirt Link: bit.ly My Website!: joeraciti.com In thispiano tutorial I show you how to play “Gotta Be You” by One Direction. You can find my other tutorials by searching the name of the song you want to play + “Joe Raciti” or “jraciti1″. If you would like different piano lessons from the ones I have posted, you can vote for the next tutorial at the Facebook link above. Otherwise, leave a comment in the comment section or thumbs up an existing comment to let me know what songs you would like me to teach you. I can’t promise that I’ll be able to get to them but I will at least consider your recommendations. My free online lessons are made with love and don’t cost you a dime so please, let me know you appreciate what I do by leaving a comment, favoriting, sharing, and subscribing. Gotta Be You Lyrics: [Liam] Girl I see it in your eyes you’re disappointed ‘Cause I’m the foolish one that you anointed with your heart I tore it apart And girl what a mess I made upon your innocence And no woman in the world deserves this But here I am asking you for one more chance [Harry] Can we fall, one more time? Stop the tape and rewind Oh and if you walk away I know I’ll fade ‘Cause there is nobody else [All] It’s gotta be you Only you It’s got to be you Only you [Liam] Now girl I hear it in your voice and how it trembles …
Official GarageBand for iPad 2 demo www.apple.com .99 on the AppStore AppStore page: itunes.apple.com Official Apple Garageband on iPad 2 guided tour: www.youtube.com Support page: www.apple.com ———————————————————————————– Requirements: Compatible with iPad. Requires iOS 4.2 or later. GarageBand turns your iPad into a collection of Touch Instruments and a full-featured recording studio — so you can make music anywhere you go. Use Multi-Touch gestures to play pianos, organs, guitars, drums, and basses on your iPad. They sound and play like their counterparts, but let you do things you could never do on a real instrument. Enjoy a full range of Smart Instruments that make you sound like a pro — even if you’ve never played a note before. Plug an electric guitar into your iPad and play through classic amps and stompbox effects. Use the built-in microphone or a guitar to record, or capture any performance. Then mix up to eight tracks to create a song you can share. Play your iPad like a musical instrument. • Perform on dozens of musical instruments on the innovative Multi-Touch keyboard. • Tap out beats from the seat of acoustic and electronic drum kits. • Recreate legendary guitar rigs on your iPad with 9 amps and 10 stompbox effects. • Record your voice using the built-in microphone, and apply fun sound effects. • Use the Sampler to create an instrument from sounds you record, then play them on a keyboard. Sound like a …
“Super Bass” piano arrangement by David Sides. Website: www.davidsidesworld.com Twitter www.twitter.com Facebook: www.facebook.com Tumblr: www.davidsides.tumblr.com Myspace www.myspace.com Join our piano community at: www.playgroundsessions.com
Score now available on my website at www.audiomuse.ca . UPDATE Here is the link to an article I wrote on arranging for piano. Touches on some issues such as ease of reading, and amount of detail. URL: audiomuse.blogspot.com High quality version: ca.youtube.com Lilium is the opening theme song from the anime Elfen Lied. It was originally composed by Kayo Konishi and Yukio Kondou with lyrics based on Latin biblical texts. Due to popular demand, I decided to arrange a complex piano version that captures as much detail from the original as possible. However, in doing so, I have made the piece quite challenging to play. I believe the original song was composed for either a piano quintet (2 violins, 1 viola, 1 cello, 1 piano) and vocals or a string chamber ensemble plus a piano and vocals. Thus, one of the challenges in reducing this score to for solo piano was to choose the which pitches to include in order to capture the fullness of strings, while at the same time keeping in mind the constraints of the pianist (eg maximum stretch, pedaling with minimal blurring). The melodic line often crosses under or is surrounded by harmonizing parts. One of the most difficult passages is at bar 9 (at 0:55 and at 2:23) where the middle triplet figures are shared by both hands. The video shows screen captures of the score synchronized with the music for you to follow along. The score will be available on my website once I get some free time. If enough people are interested, I might do some …
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